Chernobyl

Hildur Guðnadóttir talks about music as a physical process. Her classical training is a “trampoline to jump from,” while listening to doom metal is “like getting a full body massage.” Yet for the composer of HBO series Chernobyl and upcoming Hollywood film Joker, this physical approach doesn’t make the art any less intellectual. On the contrary, the body serves as a way into the complex characters and plots, and into the essence of the musician herself.