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Staging stories

Words by
Gréta Sigríður Einarsdóttir

Photography by
Golli

At the time of our interview, Brynhildur Guðjónsdóttir has been the director of the Reykjavík City Theatre for exactly five days. She’s known that the job was hers for only ten days: the former director left before her four-year term was over and asked to be released immediately. As I congratulate her and ask how it’s going, her first reaction is the following: “Well, my calendar is full, that’s for sure.” Despite the busy times ahead, the development is a positive one. “There’s a lot of action and movement in Iceland’s theatre life. It will be interesting to see what happens in the next few years.”
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At the time of our interview, Brynhildur Guðjónsdóttir has been the director of the Reykjavík City Theatre for exactly five days. She’s known that the job was hers for only ten days: the former director left before her four-year term was over and asked to be released immediately. As I congratulate her and ask how it’s going, her first reaction is the following: “Well, my calendar is full, that’s for sure.” Despite the busy times ahead, the development is a positive one. “There’s a lot of action and movement in Iceland’s theatre life. It will be interesting to see what happens in the next few years.”
This content is only visible under subscription. Subscribe here or log in.

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