As the year draws to a close, Iceland Review brings you a summary of the biggest stories in community, culture, and nature in 2023. Here are some of the biggest culture-related stories from the year.
Laufey Sets New Jazz Standard
It’s been a big year for Icelandic musician Laufey. In September, Laufey’s sophomore album, Bewitched, set a record for the most streams in the jazz category on Spotify on its day of release, accumulating 5.7 million streams. The previous record was held by Lady Gaga and Tony Bennett’s 2021 album Love for Sale, which received 1.1 million streams on its first day. Bewitched features the British Philharmonic Orchestra on two of its tracks and consists mostly of original compositions, along with one cover song.
On November 10, Laufey released two Christmas songs in collaboration with Norah Jones, a cover of Have Yourself A Merry Little Christmas and an original composition entitled Better Than Snow. Both of the songs were recorded in a single take.
On the same day that the duets with Norah Jones were released, Laufey announced to the crowd at the Paramount Theatre in Austin, Texas, that she had received her first Grammy nomination (for Best Traditional Pop Vocal Album): “I especially love Austin now because this will forever be the city where I found out that I received a Grammy nomination,” Laufey remarked.
Laufey is the artistic mononym of Icelander Laufey Lín Jónsdóttir. A former cello soloist and talent show finalist, Laufey graduated from Berklee College of Music. She released her debut EP, Typical of Me, in 2021.
Power Outage: Diljá Misses Out on Eurovision Finals
Earlier this year, Diljá Pétursdóttir was chosen to represent Iceland in the 67th annual Eurovision Song Contest. Diljá, a long-time Eurovision fan, went on to perform her energetic ballad, aptly named Power (co-written by Pálmi Ragnar Ásgeirsson), during the second semi-final night of the Eurovision Song Contest. It took place in Liverpool on May 11, and ten entries advanced to the final. Despite Diljá’s performance receiving favourable reviews from Icelanders, she did not advance to the finals.
Read More: Power Player (Brief Profile of Diljá Pétursdóttir in Iceland Review)
Diljá spoke to Eurovision commentator Sigurður Gunnarsson for the National Broadcaster (RÚV) following her performance. Despite failing to qualify, she was pleased with her performance: “It went amazingly well.”
Icelandic Lamb Receives Protected Status
In March, the European Commission approved the first-ever Protected Designation of Origin (PDO) from Iceland for Icelandic lamb (ice. Íslenskt lambakjöt). The product name is applied to the meat from purebred Icelandic lambs, which have been born, raised, and slaughtered on the island of Iceland. The designation is the same type granted to champagne and means that no product that does not fulfil the above conditions can be labelled as Icelandic lamb.
Read More: Labour of Love (A Profile of a Young Farmer)
“Sheep farming has a long and rich cultural tradition in Iceland,” a notice from the European Commission read. “The characteristics of ‘Íslenskt lambakjöt’ first and foremost consists [sic] of a high degree of tenderness and gamey taste, due to the fact that lambs roam freely in demarcated wild rangelands and grow in the wild, natural surroundings of Iceland, where they feed on grass and other plants. The long tradition of sheep farming passing down generations on the island has led to high standards of flock management and grazing methods.”
Trouble at the Opera
On Saturday, March 3, the Icelandic Opera premiered its production of Madame Butterfly, authored by Italian composer Giacomo Puccini and first performed publicly in 1904. Three days after the premiere, Laura Liu, a Chinese-American violinist for the Iceland Symphony Orchestra, published a post on Facebook in which she accused individuals involved in the production of yellowface (i.e. where a non-Asian performer uses makeup to make their skin look yellow in order to portray an Asian character). Liu shared pictures of the performers, who were shown wearing makeup, including painted-on black eyebrows and black wigs:
“Are we bringing yellowface back, Iceland?” Liu asked. “Furthermore, Madame Butterfly is Japanese. Those are Chinese characters. ‘All look [the] same,’ right? It’s disturbing to have to repeat this: yellowing up is the same as blacking up. When you wear another race as your costume that’s called dehumanisation. Do better.”
On March 9, Steinunn Birna Ragnarsdóttir, Director of the Icelandic Opera, addressed accusations of racism and cultural appropriation in an interview with the radio programme Reykjavík Síðdegis.
Steinunn iterated some of the points made by her colleague Michiel Dijkema: “I was very clear about not using yellowface in this production,” Steinunn stated, adding that the producers had taken “different routes” to make the production believable, Kabuki makeup, for example.
When asked what she made of the accusations, Steinunn replied: “We celebrate this discussion and listen with an open mind to these different perspectives.”
On Saturday, March 11, Steinunn Birna was interviewed by the nightly news, in which she stated that a few minor changes would be made: “We had a good meeting yesterday with the performers, and the director, where we listened to their experience. We decided that we would tone down the makeup. Even though we believed that we had not been guilty of yellowface, we decided to remove painted-on, slanted eyebrows and wigs, for such a thing would not serve to detract from the overall performance. There are two guidelines that I follow: that my people feel good, and making a good show even better.
Háskólabíó Movie Theatre Shuttered
The Icelandic company Sena cancelled its contract for the operation of a cinema in the Háskólabíó theatre as as of July 1 of this year. Konstantín Mikaelsson, Manager of Sena’s Film Division, told the media that Sena’s decision was informed by increased consumer demands for facilities and declining attendance.
Sena has managed the operation of Háskólabíó since 2007, but Háskólbíó’s history stretches back to the year 1961. During the first decades, the theatre featured a single large auditorium. Smaller auditoriums were later added. The building was the main concert hall of the Iceland Symphony Orchestra for years until the Harpa Music and Conference Hall was put into use in 2011.
In addition to film screenings, Háskólabíó has been the venue for university classes, concerts, and various events. In June, Guðmundur R. Jónsson, Director of Administration of the University of Iceland, told the media that the university would likely continue to use the building for concerts, conferences, meetings, and teaching.