March 1, 2022
Valdimar Jóhannsson is not a man of many words, preferring a visual medium to express himself. That’s what shaped his whole approach to his first feature film, Lamb. Years in the making, the film premiered last year at the Cannes Film Festival in the Un Certain Regard section, winning the Originality Prize, going on to garner accolades and become a sleeper hit all over the world. At the time of writing, the film is longlisted for a BAFTA nomination, shortlisted for an Oscar nomination, and has become the highest-grossing Icelandic film ever screened in the US. But it all started with a simple sketch outlining a fantastical figure – a new addition to Iceland’s folklore.
Upon entering the cave, I become immediately wary of its integrity. It would be a rather foolish way to go. This apprehension endures for all of two minutes, however,
as the mind, seemingly bored by its own alarm, begins to wander. Few profound thoughts emerge, aside from the somewhat flaccid observation that being inside an ice cave is vaguely like standing inside an Iittala glass. After another two minutes, the unease has dissipated completely, and later, I find myself following our guide deeper and deeper into the darkness, utterly devoid of any reservations.
The Northeast Iceland District Court has ruled on Stundin journalist Aðalsteinn Kjartansson’s appeal to determine the legality of a police investigation into his and other
Prime Minister Katrín Jakobsdóttir said Monday that issues surrounding the Directorate of Immigration’s housing facilities will not deter or delay Iceland’s reception of refugees from
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