
I finally admitted that I had to invest in some new outdoor clothes. Now I feel immune from the whims of the weather gods.
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Footage was captured of an obscure phenomenon yesterday which appeared to be swimming in the glacial river Jökulsá í Fljótsdal, east Iceland. People speculate whether this may be the notorious snake-like monster Lagarfljótsormurinn.
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The Iceland Touring Association (FÍ) organizes various hiking trips across Iceland throughout the year, including a project called ‘one peak per week’ where people sign up to join FÍ on hikes to 52 mountains in one year. In mid-January the group hiked two mountains called Helgafell in the capital region.
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Fjallabyggd (“Mountain Settlement”) is a skier’s dream. Its slopes are perfect for slaloming and there are also tracks for telemark skiing. Winter sporting enthusiasts can also go ice skating or rent snowmobiles. In summer, Fjallabyggd turns into a paradise for hikers. Read this special promotion about one of Iceland’s best hidden gems.
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Welcome to Iceland Review Online's review section for literature. Web editor Eygló Svala Arnarsdóttir will provide you with a new book review every month about a recently published Icelandic novel likely to be released internationally. Please email any comments you might have to: eyglo@icelandreview.com.
Review by Eygló Svala Arnarsdóttir.
Sometimes the plainest of books sparkle the most.
Six Days in Iceland containing poems by Alyson Hallett and geological descriptions by Professor Chris Caseldine, complemented with a small selection of nature photographs by a group of students turned out to be such a find.
The book, which is fundamentally a poetry book about Icelandic landscapes and geology, is the product of a fieldtrip to Iceland by second year undergraduate geography students from the University of Exeter led by Caseldine.
Hallet joined the trip as the first poet in residence in a UK geography department, appointed to the university from September 2010 to May 2011.
During her residency, Hallet was keen to explore the exchanges between a poet and a scientist and to challenge her understanding of nature, as it says in the book’s foreword.
The poems were inspired by Hallet’s observations during the trip and her conversations with Caseldine and his students. Albeit not wordy, they convey the author’s intimate account with Iceland, her knowledge and appreciation of nature.
The poems are a light read yet leave much delight behind and feel a bit like spring thaw: a dripping icicle, a ray of sunshine, a migrating bird’s cheerful song, a bright yellow dandelion.
Some of them are a tad humorous, others a tinge gloomy. There is a serious undertone of loneliness, a love lost. Towards the end the subtexts become headlines, turning glaciers and birds into emotions, outwards to inwards and gradually the poems become more personal.
I preferred the first poems, such as the ones describing April in Iceland, bathing in a swimming pool in cold weather and watching the first signs of spring: “snow scripts the hills; a language hewn out of ice; the sun’s handwriting; spill of white” (from “April in Iceland”, p. 15).
I like it how natural phenomena are considered to be writers of landscapes in Hallet’s poems.
Hallet also refers to the professor’s lectures in her writing: “Chris counsels us to think of Iceland as flat” (from “Thinking of Iceland”, p. 18), something which Caseldine elaborates on in his interesting “scientific prose” at the end of the book, as it is referred to in the foreword.
A student’s concerns also inspire a poem: “Francesca says; What if Katla explodes while we’re here; What if a flood comes down the mountain; What if we can’t escape”, to which Hallet replies: “No brake strong enough; to stop the flood –; […] we learn that we are able to die – (from “Atlas of Iceland in Nineteen Pages”, p. 22-27).
As does a dramatic story mentioned in the same poem, of the lost members of a 1953 University of Nottingham glacial expedition whose equipment resurfaced at Skaftafellsjökull, a sub-glacier of Vatnajökull, in 2006.
That story is also elaborated on in Caseldine’s prose where he explains the nature of glaciers, that everything the glacier engulfs, it will eventually give back (which was actually also the theme of the novel in my last review).
Caseldine’s text concerns volcanoes and glaciers as well as including some general information about the country’s geography, geology and birdlife. It is short and concise and despite being scientific, is accessible to all.
Overall, this little book does Iceland much justice and should prove an interesting and enjoyable read to all Icelandophiles.
Published by Dropstone Press in 2011, Six Days in Iceland is available on amazon.co.uk.
Eygló Svala Arnarsdóttir – eyglo@icelandreview.com
Eygló Svala Arnarsdóttir graduated with a Bachelors degree in communication studies from the University of Erfurt, Germany, in 2004. In 2006, she graduated with a Masters degree in journalism from the University of Westminster, London. She has worked as the web editor for Iceland Review since October 2006. Eygló received an award for her entries in a nationwide short story competition in 1997, 1998 and 1999.
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The current issue of the quarterly magazine Iceland Review includes for example an interview with world-renowned fashion designer Steinunn Sigurðardóttir as well as features on the successful biotech company ORF Genetics and the hot debate regarding the EU. If you subscribe now, you will receive a photo book by IR editor, photographer Páll Stefánsson of the eruptions in Eyjafjallajökull as a gift. Click here to subscribe to the magazine and here to buy a gift subscription.
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Sweet, honest music from troubadour Svavar Knútur.
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Does an image say more than a thousand words? Sometimes it does. It is interesting to see Iceland through travelers’ eyes. Some visiting for the twentieth time, others for the first time, but almost all of them focus their lenses on nature; the tiniest details or the greatest panorama of lava fields and mountains.
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The painter Karen Agnete (1903-1992) was one of many Danish women who married an Icelander and moved with their husbands to Iceland from Copenhagen in the first half of the 20th century. She was fascinated by Iceland and Icelanders; the current exhibition at Kjarvalsstaðir highlights the types of paintings she concentrated on.
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