Click on the picture to watch an audio slideshow of the lambing season at Brimnes, a farm in the north of Iceland, in April 2008. Sheep farmer Arnar Gústafsson and his girlfriend Edda Björk take shifts watching over the nearly 300 ewes and helping them give birth 24/7 for about two months or until the last lamb is born. In Iceland, the arrival of lambs is synonymous with the arrival of summer. The lambing season is currently at its height.
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Located just 40 minutes by car and six minutes from Keflavík International Airport, Sandgerdi (“Sandy Hedge”) is a growing town of 1,700 with a storied history and loads to see. Read this special promotion about the hidden secrets of one of Iceland's most charming seaside villages.
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In many countries carnival is celebrated at this time of year. In Iceland, the carnival season is limited to three days, bolludagur (Collop Monday), sprengidagur (Shrove Tuesday) and öskudagur (Ash Wednesday).
Öskudagur, literally: Ash Day, is in many ways Iceland’s answer to Halloween.

Children, who have the day off from school, dress up in fancy costumes—all sorts of costumes, not just scary ones—and visit shops and companies where they sing in exchange for candy.
Originally a Catholic holiday, Ash Wednesday marks the beginning of Lent and is celebrated seven weeks before Easter (this year on February 17), as described on the University of Iceland Science Web.
According to the Bible, ash is holy and on Ash Wednesday in some countries ash is spread over the heads of churchgoers or smeared on their foreheads.
In Iceland, people used to pin bags filled with ash unnoticed on each other’s backs. In some schools in Iceland children make such bags in handicraft classes before Ash Day.
Ash Day in its current form was first celebrated in Akureyri in the early 20th century, but since then the tradition has spread to other parts of the country.
Yet Akureyri remains Iceland’s unofficial Ash Day capital. There, a pinata is hoisted in the town square and children takes turns “beating the cat out of the barrel” as it is called.
Many children are ambitious about their costumes and singing.


Although most costumes are bought nowadays, homemade costumes can also be spotted, which children have obviously put a lot of thought and creativity into.
The most creative costumes I’ve seen in recent years were a playmobil character and an iPod.
A lot of preparation goes into a successful Ash Day team. Siblings, cousins and friends decide who they want to team up with weeks before the big day.
There shouldn’t be more that four or five kids in one team considering the candy must be distributed equally among team members.
Then the teams start practicing. They come up with a list of songs coinciding with the list of workplaces they plan to serenade.
At the dairy it is advisable to sing about cows or the milk man, for example, and about bank robbers at the bank. That is likely to result in more candy.
It is also advisable to be original. People don’t like to hear the same songs over and over again, so the list of songs should include a few oldies or something out of the ordinary.
The really ambitious practice songs from musicals where each team member sings the role of a certain character, or folk songs performed in duet, trio or quartet versions. Members of children’s choirs are always popular in Ash Day teams.
On Ash Day children wake up early to get ready, put on their costumes (it’s advisable to wear something warm underneath) and their make-up before catching up with the rest of their Ash Day team and heading downtown—as soon as the stores open.
Then there is relentless singing until the bags are full with candy or until shopkeepers put up a sing in the window reading: “Krakkar! nammid er búid” (“Kids! there is no more candy”).
In the early afternoon, the children have usually turned cold, hungry and exhausted from all the walking and singing. Then it is time to go home and feast on all the delicious candy until the tummy starts aching.
ESA
The first archeological research in Iceland this year will begin at Hafnir in Reykjanes, southwest Iceland, on Monday. Archeologists will continue their study of a hut which may originate from 770-880 AD and predate the historical settlement of Iceland in 847.
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A small glacial burst occurred in the volcano Katla, which lies underneath the Mýrdalsjökull icecap in south Iceland, on April 28 and lasted a few days. The activity was registered by seismic monitors and increased conduction was measured in the river Múlakvísl until May 7.
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Kexland (“Biscuit Land”) is a new events organizer and tour operator based at the hip KEX Hostel in Reykjavík, where its plans were presented on Wednesday. These include a guided tour and exercise at the capital’s swimming pools with comedian Dóri DNA.
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American disco queen Donna Summer, who died of cancer at age 63 on Thursday, worked closely with Icelandic musician Þórir Baldursson in Germany from 1973 to 1976. He remembers her with warmth, describing her as a wonderful person.
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The current issue of the quarterly magazine Iceland Review includes interviews with fashion photographer Saga Sig and conceptual artist Rúrí. Also, we take you to Grímsstaðir á Fjöllum, that desolate land coveted by a Chinese tycoon, and also explore Icelandic archeological remains. We discuss the Icelandic Church, the flourishing gaming industry, debate the future of Iceland’s energy resources and interview the president of the Icelandic National League of North America. Subscribe now and receive a free photo book by IR’s editor Páll Stefánsson of the Eyjafjallajökull eruptions. Click here to subscribe to the magazine and here to buy a gift subscription.
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The Reykjavík Shorts&Docs was held in Reykjavík from May 6 to 9 in Bíó Paradís, and what an enriching experience it was to attend the festival.
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Shedding light on Iceland’s thousand-year history, as manifested in remains ranging from Viking graves to enchanted sites, Mannvist is a fundamental piece of writing. Ásta Andrésdóttir met with its author, archaeologist Birna Lárusdóttir.
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“The House Project” currently on display in Hafnarborg, the Hafnarfjörður Centre of Culture and Fine Art, is a new artwork by Hreinn Friðfinnsson consisting of a photography series of the three houses. His work is described as “a poetic and philosophical exploration of every day human experience.”
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